A Summoning - author's notes

this has been out a few hours now, let me add some extra background comments...

i released A Summoning with minimal edits from the 2022 version (just adjusting a few lines of Lilith that felt a bit much really). i call it medievalist but it's not really trying for a specific time period, it's in a sort of vague floating time and place peppered with cool things from the past (like most fantasy), but i try to pull on some more unusual threads at least. very loosely you could place it somewhere in the early early modern period, 15th through 17th centuries.

in England, travelling players became more common in the Elizabethan period. the content of what they perform here is very loosely inspired by the tradition of the morality play.

the intercrural sex scene is a now largely forgotten practice, sometimes done in a sex work context (one reason being that it helps with minimising STI transmission). one notable example was Mervyn Tuchet, who was forced to read a rather convoluted statement of Christian belief and then executed for sodomy in 1631. the 'patting about the loins' joke is riffing on Chaucer. a braies is a kind of loose trouser-like clothing.

like any uminekohead would, I used a magic circle from the Key of Solomon on the cover (in this case the Fourth Pentacle of Venus, which is used to summon a person to you and command spirits of venus and thus makes sense for its use in the story, but more importantly it has a cool and intricate design), which goes back to the 14th or 15th centuries. this one includes a few letters from the Celestial Alphabet of Agrippa, which I inevitably appreciate as a Yoko Taro fan.

the wizard tower is a thing of pure fantasy. I wouldn't know where to begin researching it - I found various threads on forums and reddit about the history of the image of a wizard in his tower (for example), and there's some speculation it's inspired by Roman astrologers, but the association of wizards with towers seems to be more of a 20th-century thing, going back mainly to Howard. the sort of comically misogynist philosophy of magic followed by the Master is more inspired by the 20th-century concepts like 'orgone' than anything truly medieval, mixed with some of the wild ideas that Romans had about sexuality.

a friend reasonably pointed out that lilith's conception of transness is very modern - and sure she's a demon from another world and time, but there is a kind of unintentional aspect where it sort of suggests that from the main narrative authority in the story, the modern conception of 'transness' where you are always really a girl is the final correct one, and that seems against the spirit a bit. this feels like a misstep for me, similar to how the final act of Tipping the Velvet pulls in some quite modern lesbian politics to its Victorian setting. if I were to write again - I know as much about the Old English baedlings as anyone who reads @baeddel's blog. but this story is roughly 15th-century-ish as the other references suggest. I believe in that period, gender was understood as being more about what you do than expressing some inner essence, but I would need to research a lot more thoroughly.

nevertheless it has been in the oven for long enough, and I wanna make this a year of releasing things rather than sitting on them for years x3